A Year by the Sea: Thoughts of an Unfinished Woman
Author: Joan Anderson
Now available in paperback, the entrancing story of how one woman's journey of self-discovery gave her the courage to persevere in re-creating her life.
Life is a work in progress, as ever-changing as a sandy shoreline along the beach. During the years Joan Anderson was a loving wife and supportive mother, she had slowly and unconsciously replaced her own dreams with the needs of her family. With her sons grown, however, she realized that the family no longer centered on the home she provided, and her relationship with her husband had become stagnant. Like many women in her situation, Joan realized that she had neglected to nurture herself and, worse, to envision fulfilling goals for her future. As her husband received a wonderful job opportunity out-of-state, it seemed that the best part of her own life was finished. Shocking both of them, she refused to follow him to his new job and decided to retreat to a family cottage on Cape Cod.
At first casting about for direction, Joan soon began to take plea-sure in her surroundings and call on resources she didn't realize she had. Over the course of a year, she gradually discovered that her life as an "unfinished woman" was full of possibilities. Out of that magical, difficult, transformative year came A Year by the Sea, a record of her experiences and a treasury of wisdom for readers.
This year of self-discovery brought about extraordinary changes in the author's life. The steps that Joan took to revitalize herself and rediscover her potential have helped thousands of woman reveal and release untapped resources within themselves.
Publishers Weekly
"I'm beginning to think that real growing only begins after we've done the adult things we're supposed to do," confides Anderson, a journalist and author of children's books (Twins on Toes, etc.). She came to this conclusion after a year living alone in a cottage on Cape Cod. Feeling that her marriage had stagnated by the time her two sons were grown, Anderson surprised and distressed her husband by refusing to move out-of-state with him when he accepted a new job. In this accessible memoir, she shares the joy and self-knowledge she found during her time of semi-isolation. In order to supplement the income from her royalty checks, she found a job in the local fish market and began making new friends who sustained her. After her hot water heater broke down and her husband refused to help, she earned the additional money for the repair by digging and selling clams. Through vivid and meticulous observations about the natural world, Anderson makes clear her strong affinity for the ocean, with its changing tides, subtle colors and burgeoning life. A Memorial Day reunion brought Anderson and her husband closer; shortly thereafter she embraced his plan to retire and live with her in the cottage. Anderson has recently begun a "Weekend by the Sea" program for women who need time to reflect. (Apr.)
Library Journal
Curling up with this autobiography will refresh readers' souls and adjust their attitudes. With their two sons grown and married, Anderson and her husband decided to take a "vacation" from their long marriage. Her husband moved on to a new job hundreds of miles away, while Anderson cocooned herself in her rusting Volvo and drove to her family's cottage on Cape Cod. During the year-long separation, Anderson reestablished her connection to nature and was able to discover new hope. She swam with seals, ran a marathon, worked in a fish market, and earned extra income clamming--activities that gave her the opportunity to shed her image as family nurturer and allowed her to grow as an independent woman. After a Memorial Day reunion, her husband retired from his job to live with Anderson on Cape Cod. Anderson's story reminds readers not to overlook their personal needs when providing for family members. This is a good choice for discussion and a companion piece to Anne Morrow Lindbergh's classic Gift from the Sea.--Joyce Sparrow, St. Petersburg P.L., FL
Kirkus Reviews
A touchy-feely finding-oneself memoir by a midlife woman who took a year off from her unfulfilling marriage and spent it in reflection by the sea. Anderson, a 50-year-old journalist and author of children's books (Harry's Helicopter,1990; 1787, 1987; etc.), refused to follow her husband when his job transferred him to another state, choosing instead to move alone to their summer cottage on Cape Cod and take stock of her life and marriage. Comparisons with Anne Morrow Lindbergh's Gift from the Sea are inevitable: both are by women concerned with the creative life, both express a closeness to nature at the seashore, a kinship with other life forms, a response to the ebb and flow of the tides, and both find metaphors in seashells. However, whereas Lindbergh has only a brief holiday at the beach and finds universal themes, Anderson's sojourn is protracted and her focus narrow. Alone, she is self-reliant and self-conscious, adventurous, resourceful, and open. Not all her time is spent in solitude, however: she works in a fish market for extra money, finds a mentor and companion in the widow of psychoanalyst Erik Erikson, has house guests, including an old friend, a psychoanalyst, and a priest, hires on as short-term cook for a nephew's film crew, and entertains her husband, sons, and daughters-in-law over Memorial Day. At the year's end, she is more certain of who she is and what she wants. She is ready to live once again with her husband, not in the old stale marriage, but in a new and still-to-be-defined one. A less-than-enthralling journey of self-discovery marred by more than a touch of self-congratulation. .
The Sound I Saw
Author: Roy DeCarava
This is the long-awaited publication of a moving masterwork by one of the greatest photographers of our time.
Conceived, designed, written and made by hand as a prototype by master photographer Roy DeCarava (b.1919) in the early 1960s yet unpublished for nearly half a century, The Sound I Saw has largely existed, until now, as a legend among the cognoscenti of the photography world. Presented as a stream of 196 soulful images interspersed with DeCarava's own evocative poetry, the book is, in its form and effect, the printed equivalent of jazz, "This is a book about people, about jazz, and about things. The Work between its covers tries to present images for the head and for the heart and, like its subject matter, is particular, subjective, and individual," writes the author.
DeCarava is a life-long New Yorker who from his immediate world creates images that transcend the specific to depict universal themes of joy, anticipation, pain and survival. Largely unpublished, he was first recognized for his images of daily life in Harlem (the subject of The Sweet Flypaper of Life, his 1955 collaboration with Harlem Renaissance poet Langston Hughes) and portraits of musicians like Duke Ellington and Billie Holiday. It is these two themes-Harlem and jazz-interwoven and inseparable, that are the ostensible subject of the book. However, the seemingly casual yet deeply felt compositions and the deep, rich tones of DeCarava's photographs stir emotions that resonate far beyond one neighborhood and one era.
